Proofing a Mixbook Book

 I have been using two different printers for photo books for the past several years.  I tend to use Printique (formerly AdoramaPix) for my "serious" books, those where I anticipate wanting full spread images and top quality printed images.  

I also like using Mixbook.  I find it easier to use and less expensive, though the lack of a practical lay flat option and my perception of their print quality keeps me from using them for books where I know I have top notch images.  

Covid-19 has me delving into my archives to create new books of events well in the past.  Mixbook is the right choice for me on these as: 

1. My images back then tended to be a bit off -- no need for big prints.
2. Ease of book creation is more important given potential volume and time constraints.
3. Lower cost encourages more generous allocation of pages for marginal materials.
4. Thinner finished size takes less bookshelf space.

One of the advantages of Mixbook over Printique is the ability to collaborate and review.  This post will delve into that a bit deeper.

Removing Annoying Foreground Fence

 As I have been working on my shots from a family trip to Alaska in 2006 I ran across some interesting shots that were totally ruined by nasty foreground fencing.  All of the images are from an animal park, taken through the fences, also as I was with a tour group I was forced to shoot through the fence.  I captured images with a fence dominating my view but I remembered just seeing the animal.  Rather like the following pair of images.

Making Water Wet

It's been a while since I posted to this blog, by "a while" I mean more than a year.  Lots of reasons, but I'll skip those and get right to the subject of this post: Making Water Wet (in Lightroom).

Why in the world would I need to make water wet, it is that way naturally, isn't it?  Looking at raw images, apparently not always.  Water in a RAW image can look flat and dull.  For that matter sometimes pavement or rocks would look better with a bit of a moist glisten. 

I just picked up a technique courtesy of Scott Kelby in one of his videos that literally can make water (or stones, or pavement) look wet. 

(tl/dr summary) -- Use local adjustment brush and set contrast and clarity to 100 (yes, pin to the max) and brush on the adjustment.